Jumat, 10 Juni 2016

WHERE TO VISIT IN BANDUNG


This place is a place that we can visit in bandung, Saung Angklung Udjo. Traveled to Bandung not just natural attractions , shopping , and culinary . Time for you to add a sense of love for the cultural pride of Indonesia and the world at Saung Angklung Udjo . A tourist location that is proper and right where traditional dances and games angklung mingle in an atmosphere of good cheer. Saung Angklung Udjo located at 118 Bandung Padasuka an art gallery , educational laboratories , as well as cultural tourism Sundanese of West Java . Saung Angklung Udjo can be likened cultural oasis in the middle of dense settlements , on land of 1.2 hectares . 42 countries have introduced this angklung game , even in South Korea still angklung has been introduced since elementary school .Saung Angklung Udjo , angklung art is packed with very interesting by Udjo Ngalagena (late) who is familiar with the call Udjo Mang and his wife , Uum Sumiati . Mang Udjo known as angklung maker since 1966. Udjo Ngalagena with his wife learn the art padepokan Daeng Soetigna establish Saung Angklung Udjo , Sundanese Art & Bamboo Craft Center in early 1967. Saung Angklung Mang Udjo strive to realize the ideals and expectations of the late Mang Udjo that for their work to introduce music Angklung Angklung dubbed Legen.Angklung is a traditional musical instrument made ​​of bamboo and the development of instruments Calung namely bamboo tubes hit, while angklung is shaken bamboo tubes , producing only one note for each instrument. At first angklung only pitched pentatonic (da mi na ti la).It takes dozens of people to play angkung harmony. Now with certain techniques can be played by several people. 1938 Daeng Soetigna modify the sounds into diatonic angklung (do re me fa so la ti). Since that time began to be known internationally angklung to ever appear in the event of the Asian - African Conference, Bandung 1955. Angklung is now more often presented in the form of orchestra and the more nurtured at school.

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